manifesta: (Battle Eyeliner)
Remember, the 3W4D Book Giveaway ends tonight at 11:59PM PST! The contest entry post is here.

From Kiersten White, author of the upcoming YA Paranormalcy, on romance in YA:
"But I knew—KNEW—that we were meant to be together. And if I could just figure it out, convince him, I’d be able to root out his personal demons. He would confess he simply feared he wasn’t good enough for me/was actually protecting me, and we’d be able to have our happily-ever-after.

As long as I earned it. As long as I was good, and pure, and self-sacrificing. Then I could make it work.

Romantic, isn’t it?

Wait. You mean that was creepy? You mean that no girl should ever, EVER have to “earn” the right to be treated well in a relationship? That if a guy treats her like that, he is not worthy of her?

[....] So here’s to making sure that our girls know they are worth far, far more than a bad boy. That they shouldn’t have to work to earn the right to be treated like they deserve. That they shouldn’t have to sacrifice themselves or their dreams for someone to love them."
It's good to know some YA authors are listening.

I particularly appreciated her emphasis on how women, and especially young girls, are socialized to believe that they must earn their happiness, and in earning it they must compromise themselves (which isn't portrayed as compromising oneself at all, but rather making a general compromise for the good of the relationship if not solely for the boy).

I think that, in regards to relationships, there is a very strong American rhetoric of "making it work." Couples are encouraged to compromise and to be flexible enough to take as well as give, which all in all is sound advice. Gender roles throw a wrench into the equation because women are already encouraged by society to give more than they take. And so when you look at the current trend in romantic YA (and especially in paranormal), what Americans see--because it's what they expect to see--is a couple "compromising" when what's actually occurring is a greater portion of the burden of "compromise" being shouldered by the woman.
manifesta: (Rory/Logan Kiss)
Maggie Stiefvater on young love in YA, bold emphasis mine:
"I think true love comes if you believe in it. If teens get nothing else from SHIVER, I hope they get this: that if you are open to love and are willing to settle for nothing less than someone who is completely into you and just you, who respects you for who you are, who is happy with your boundaries and interested in keeping you happy, you will find it. I want every teen who reads SHIVER to settle for nothing less than a relationship with that kind of equality and respect. Because you'll get what you demand, and if you go into it knowing that sort of love is possible -- well, you're a heckuva lot more likely to get it. It kills me when I meet teen girls who are dating some jerk who is less than respectful of them or who is making them do things they aren't ready for or who is disinterested or condescending. Real love lets you be the person you're meant to be. It makes you a bigger person, not less of one."
Though I haven't read SHIVER, this is the kind of message I can get behind. Whether the author's intentions are translated to the text or not is up for debate (anyone care to chime in?) but as soon as I get my hands on a copy I'll discuss it here.

Another thing that interested me was what I found while digging up reviews for it. The general summary I see going around is this:
"For years, Grace has watched the wolves in the woods behind her house. One yellow-eyed wolf—her wolf—is a chilling presence she can't seem to live without. Meanwhile, Sam has lived two lives: In winter, the frozen woods, the protection of the pack, and the silent company of a fearless girl. In summer, a few precious months of being human... until the cold makes him shift back again.

Now, Grace meets a yellow-eyed boy whose familiarity takes her breath away. It's her wolf. It has to be. But as winter nears, Sam must fight to stay human—or risk losing himself, and Grace, forever."

Here's another summary from Beyond Hollywood:
"When a mysterious boy name Sam with yellow eyes show up, Grace realizes that he’s the wolf, but can only be human for a few months during the summer. In winter time, when it gets cold, he must revert back to wolf form. Further problems arise when a local boy is killed by a wolf, and a wolf hunt by the locals threaten Sam’s life. Can Grace save her hairy boyfriend?"
The most jarring difference between the two is how Grace's agency is framed. In the former, it's up to Sam to save himself, but in the latter, it's up to Grace to save him. It could very well be that it's a mix of both (and I don't doubt that it is), but both summaries convey a very different feel of autonomy. I think they also draw the line between a book that is just another mirror image of Twilight and a book where it's up to the mortal heroine to save her paranormal boyfriend, a new twist on a tired trope, and one that could potentially counter rape culture to boot.

Whether it actually does this... we'll see.